According to Aristotle, matter is the substratum of every change, of every movement of form. It is a principle of things, constitutive of corporeality. Thus conceived, matter is pure indeterminacy, knowable only indirectly, arguing its existence as necessary for the composition of reality. In this way matter is understood as power, pure capacity, which is nothing, but which can become something.


If we accept the idea that the purpose of photography is to return a coherent and understandable image of reality and we do not consider the fact that reality itself is not entirely objective, we cannot understand that the perception of everything that surrounds us it is nothing more than the fruit of our mental process that processes visual information. Therefore what we call reality is only a set of individual, changing and unstable perceptions. It is in this area that my research on informal photography moves, where the realism of the mechanical medium is replaced by the perception of shape and colours, sometimes unique and unrepeatable as in the encounter between fluids of different colors and densities, other times with the de-contextualization of an ordinary object, or part of it, to the point of dissolving any reference to consolidated reality and regenerating it in a new expressive solution. In any case, the "real" data is replaced by the "possible" one and in this way reality is perceived through the senses, where it is the mind of the observer that attributes meaning to what he sees.


The Materia Series is a research on the concept of abstraction in photography or rather, given the mechanical and descriptive character of the photographic medium, it is a research on the informal perception of a decontextualized reality within a finite space. The choice of different states of aggregation of matter allows us to explore the infinite expressive possibilities of forms, which in this way appear fleeting and ephemeral, and can be “frozen” in a unique and unrepeatable instant, only to disappear forever within the matter itself.
 

 


Reality is a conspiracy created by the illusion of the senses

 

Composition nr 10
 

 

Composition nr 20
 

 

Composition nr 30
 

 

Composition nr 32
 

 

Composition nr 33
 

 

Composition nr 34
 

 

Composition nr 35
 

 

Composition nr 40
 

 

Composition nr 41
 

 

Composition nr 43
 

 

Composition nr 45
 

 

Composition nr 46
 

 

Composition nr 48
 

 

Composition nr 49
 

 

Composition nr 50
 

 

Composition nr 51
 

 

Composition nr 53

 

 

 

Composition nr 57
 

 

Composition nr 58
 
 
 
abstract photography - photographie abstraite - fotografia astratta
© Copyrigth by Alessandro Idini - all rights reserved